Who is your creative inspiration and why? These were all game changers and made me way more efficient. Get familiar with keyboard shortcuts like Q & W for ripple trim edits, use pancake editing and the transcription tools. Just one tip? That’s tough! I’d say use the proxy workflow and multi-cam for syncing your footage. If you could share one tip about Premiere Pro, what would it be? I don’t have to think about how to use the software so I can just focus on the creative. I used Premiere Pro to cut “Hey Viktor!” For me Premiere Pro is like a second language so it’s always my first choice. What Adobe tools did you use on this project and why did you originally choose them? Why were they the best choice for this project? The initial assembly was very long so most of the challenges came from deciding what scenes or beats weren’t needed. The production team did a pretty fantastic job of getting what was needed. What were some specific post-production challenges you faced that were unique to your project? How did you go about solving them? I also have to mention the improvised moments-at times I couldn’t cut because it was so darn funny! I found the performance really moving because it was intense and cathartic. I loved the scene in “Hey Viktor!” where Kate tells Cody how she’s been feeling and lets it all out. Tell us about a favorite scene or moment from this project and why it stands out to you. I then dive into each scene and, bit by bit, I piece together the film. I now receive a project file with synced proxies and organized scenes. Recently I’ve had the privilege of working with an assistant editor, Blair Drover (yay to AEs!). Leading up to the film's premiere at the Tribeca Festival I asked Sarah about the challenges of editing “Hey Viktor!” and some of her favorite Premiere Pro tips. It’s also funny, thanks in no small part to the skills of editor Sarah Taylor, who used Premiere Pro to cut the dark comedy. But it wears its mockumentary-humor lightly, exploring serious themes from “ Smoke Signals” including inter-generational tensions and the challenges still faced by the Native American community. ![]() “Hey Viktor!” is a smart meta-riff on the challenges of filmmaking and the transience of fame. As the project descends into chaos, Lightning is forced to confront unresolved issues from the past and come to terms with the community that raised him. When his friends stage an intervention, he redirects his energy into “Smoke Signals 2”, with the support of an unhinged investor and a hastily assembled cast and crew. At the start of “ Hey Viktor!”, Lightning is wallowing in the past - watching VHS reruns from his glory days while struggling to fund a zombie movie that he rewrites endlessly with his creative partner (played by Star Trek: Discovery’s Hannah Cheesman). Released in 1998, “ Smoke Signals” starred child-actor Cody Lightning who plays his grown-up self in “Hey Viktor!”, which he also directed and scripted with co-writer Samuel Miller. Editor Sarah Taylor used Adobe Creative Cloud, including Premiere Pro, to bring “ Hey Viktor!” to life. “ Hey Viktor!” pays homage to “Smoke Signals”, a groundbreaking production widely recognized as the first full-length film written, directed, and produced by Native Americans to reach an international audience. Editor Sarah Taylor on why Adobe Premiere Pro is her go-to editing tool for films like Tribeca’s “Hey Viktor!”
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